Archives for posts with tag: TVC

I grew up on Nestle.

My dad was instrumental in launching their Milo powdered chocolate drink and Nido powdered milk in the Philippines in the 1980s, and we always grew up believing that Nestle was the gold standard when it came to quality food products. That was my dad’s fault; his word was the law, and if he said something rocked, I was all too happy to concur.

Tony De Joya says: "Drink more Milo, bitchezzzzz!"

I will openly credit Milo, after all, for my world-class, Olympic quality, award-winning Greek god physique. I practically invented the Milo Dinosaur in my youth, partly because I loved the crunch of the powder while I was drinking, but mainly because I was too lazy to dissolve the granules properly.

The Milo Dinosaur in all its glory.

(“Why is it called a Milo Dinosaur, MDJ Superstar?” you may ask. “Because of the sound your tummy makes after consuming three of them, young Padawan!” I will gleefully answer.)

But I digress.

Nestle has been around a heck of a long time, and just last month, it celebrated its 100th year in the Philippines. They launched a commemorative 90-second TV commercial directed by the incomparable Stephen Ngo telling the tale of Nestle as it threads through the lives of the Filipino consumer.

It’s beautiful, and I will allow you to view it for yourself.

Everything about it is perfect.

The casting, the production design & styling that perfectly captures the milieu of each era, the acting, the storyline – if anyone has ever said that Stephen Ngo is only good for high-gloss, slick productions with acting as a secondary priority, then this spot should prove them wrong. But I need to point out the song written by APO Hiking Society member Danny Javier as the most wonderfully heart-warming element of the piece – it works so well with the visuals, and adds so much emotion and texture in a resonant, deeply personal way.

Nestle has been around 100 years in the Philippines. As a marketing professional working for a rival organization, I wish them ill, and intensely catastrophic business results in the immediate future. But as a consumer, I commend their longevity and steadfast commitment to a singular higher purpose – of bringing good food, good life, to Filipino consumers everywhere.

* The views above reflect my personal opinion, and do not reflect any bias or judgment against how I conduct my professional life.

The last TV commercial I ever did at McCann for Royal Tru-Orange – and I didn’t even get to finish it all the way. Boo.

(Also, the food at the shoot sucked balls, but the fish fillet and marinara pasta at the offline Client Interlock rocked my socks.)


Some production notes:

(1) The name of the sari-sari store at the beginning – “Ron-Ron’s Store” – is a subtle little inside joke by the Agency in inserting the name of a charming little character who we loved from other previous boards, but whose story we just couldn’t tie up neatly. It’s our tongue-in-cheek anticipation of Client possibly requesting us to *sigh* “marry the boards.” Thank God they liked this board enough not to ask for that :P

(2) Agency initially wanted Christophe, the tall, goofy-looking dude to play the lead. He exudes so much natural physical humor. The eventual lead wasn’t even part of the original casting shortlist – Daniel, our intended lead, came down with a sudden high fever on the morning of the shoot, and everyone had to scramble to find a suitable replacement in a couple hours’ time.

(3) Everything was shot on location in Paranaque, and Tina Baron’s house makes a tiny tiny little cameo in the end sequence – the cat-eyes on the road where you see the barkada biking off are unique to their house alone.

(4) Christian, the lead, is a very crude biker in real life. Which kind of makes his punchline all the more appropriate.

(5) We all believe that Angelica, the female barkada member, will grow up to be the spitting image of Judy Ann Santos in 5 years time.

(6) Original ending had them biking off after a truck with the Royal Tru-Grape design plastered on it – but Direk Jolly Feliciano wanted to use the sequence to show an elevation of kulit in the barkada, hence the mischief that happens at the end.

(7) The music that plays throughout was inspired by a Sony Ericsson ringtone that we plucked out of thin air for the pre-testing material at 1 in the morning.

(8) “No bike” took 27 takes to get right. It’s harder than it looks! Direk himself operated the camera for this sequence.

(9) We were terrified by the weather forecast, since this was a location shoot that needed lots of long and wide shots – Yahoo and AccuWeather both predicted thunderstorms for the two days. Thankfully the sun held out until AFTER we wrapped!

(10) This particular storyboard was 99% approved in just ONE PASS.

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CREDITS:

Director: Jolly Feliciano
Producer: Cris Dy-Liacco, Alec Humphries
Creatives: Dadi Santos, Bong Legaspi, Paolo Gardon, Jon Galvez, Gabby Alcazaren
Accounts: Berns Chincuanco, Cha Golpeo, Mark De Joya, Celine Lopez, Lianne Salcedo
Strategic Planning: Gen Cruz, Ez Abero
Casting: Owen Mariano

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