Archives for posts with tag: McCann

Over my 8 year career as a marketing/advertising professional, I’ve produced a lot of TV campaigns.

A lot of them, I like a lot. Some others, I find very forgettable. Some were rooted in great insights, and resonated wonderfully with their respective target audiences. Others really had no emotional depth to them – dinaan lang sa production values, as some people would say.

There are a few I can’t find – mostly from the pre-YouTube era. I wish I’d hung onto them.

But anyway. Here are the campaigns I’ve done.

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1.
Lady’s Choice Sandwich Spread: “Isipin Mo Na Lang”

My first ever TV commercial, and perhaps the one I’m the most proud of. It’s a simple story with simple production values, but very charming and engaging nevertheless. Mommies told us they loved the material; it painted a picture of Lady’s Choice as “mom’s invisible hand in her kids’ lunchboxes,” giving her a bit of reassurance as they go off to eat the one meal of the day that doesn’t fall under mom’s direct supervision.

2.
Lady’s Choice Mayonnaise: “Sharon Cuneta’s Megadelicious Dip”

A lot of people said this was a poor choice of endorser; this was Ate Shawie still recovering from pregnancy-induced weight gain. “Why would you choose someone like that to sell mayonnaise?” they asked.

Simple.

Because she captures the simple joy of eating like nobody else does – no pretensions, no inhibitions, just pure sensuous satisfaction. We should all learn to eat the way she does. I love her.

It’s true that we had to provide a lechon for each shoot day – but it wasn’t all for her, and she deserved it. Shooting with her was like a fiesta – so professional, no bad takes, wonderful rapport with co-talents and production.

Lady’s Choice Mayonnaise  ”Endorsers”

Lady’s Choice Mayonnaise “Drama (30s)”

Lady’s Choice Mayonnaise “Drama (15s)”

Lady’s Choice Mayonnaise “Ikaw”

Lady’s Choice Mayonnaise “Balat Sibuyas”

3.
Lady’s Choice Mayonnaise “A Little To A Lot”

I don’t have a lot of memories on this material. I think we were midstream in transitioning the brand into a new positioning, but needed to capitalize on the key Christmas season.

I personally don’t eat a lot of macaroni salad. But some people do, and the sales we got over the duration of this campaign were astounding.

4.
Lady’s Choice Easy-Squeeze Bottle “Worms” 30s

The last TVC I made during my Unilever career, for one of the most fun innovations I got to do – the upside-down easy-squeeze bottle. I’m not a gourmet chef, by any means, but I do try to be artsy with my food in little ways, and this little commercial shows the liberation to create when you have the right tools in your hands – in this case, a wonderfully handy squeezable bottle to put a little personal flourish on the food one puts on one’s table.

5.
Royal Tru-Orange “Ilabas Ang Kulit”

My first ever TVC produced during my fabulously fun 2-year run in the advertising industry – a relaunch for the iconic Royal Tru-Orange brand, which had launched multiple legendary campaigns in the Philippines (RJ Ledesma’s “Joey” series, Francis M‘s “Ito Ang Gusto Ko”), but had fallen dormant in recent years.

The first material, “Battlebots” was incredibly stressful to produce. Direk Henry Frejas refused to rely on CG for the vendo robot – we actually had to create a real-life robot that could transform to and from its vendo and robot forms. What a headache. Each take required a 12-hour downtime to re-position all the parts back to their starting position. But it was well worth it. I can’t help but smile when I see that damn robot.

The follow-up material, “Bike,” was relatively easy to produce. We had a better grasp of what “kulit” meant in the eyes of tweens, and wanted to just have some fun with their very juvenile brand of humor.

This was the total opposite of “Battlebots.” Production was a breeze. Clients literally approved the offline and online materials in 10 minutes. Ganyan ang gusto ko!

6.
IAMNINOY “Glasses”

I am proud of this particular material not only as an advertising professional, but as a Filipino citizen. The Benigno S. Aquino Foundation had one simple objective – create a new breed of self-starting heroism in this country. I think the ad delivered.

As random trivia, please note how MDJ Superstar was the only one allowed to deliver one complete sentence in the entire material. Oh, the perks of being the Account Director on the project…

7.
Eden “Recipes” Series

Our challenge to the creative agency, JWT, was to present a creative way on how to make a recipe instructional TVC in a span of just 15-seconds per material.

Did they deliver? I think so.

8.
Tang Pick & Go “Tang Goes To School”

I came onto this project mid-stream, when the storyboards had already been essentially approved, so my involvement here was mainly on the production side. I love working with kids, despite the DOLE limitations on how many hours per day they can shoot. And of course, the lead talent Xyriel Manabat, was a joy to work with. What an adorable kid.

9.
Tang Pulpy “Operation”

We told Ogilvy, the creative agency, give us a spectacular launch material for a first-of-its-kind innovation! Make it Spielberg-esque, but with a Peque Gallaga budget!

And they did.

* – Also of note, with this material, I have now officially worked with 3 of the 4 directors who did the 2010 Ad Congress “Ano Sa Tingin Mo” series. This was an AF Beaniza material, while I’d gotten to work with Henry Frejas on Royal Tru-Orange, and Carlo Directo for the prior Pick & Go material.

*****

I’m missing three key campaigns on this list, but I guess the fact that they aren’t on YouTube is very telling…

This is an old blog entry I came across from 2007. Funny how the 26-year old me had his thought processes laid out.

*****

“So why did you shift from Client side to Agency? Nobody does that. It’s Agency people who jump over to Client!”

That, in twenty-one words, pretty much sums up the biggest comment I deal with on a bi-weekly basis when people find out that I have shed my Marketing skin (the snake metaphor is quite apt), and plunged all naked and wrinkly into the Advertising world.

I ask, in return, why I shouldn’t have done so.

And they, in response, always point to an answer that seems as obvious to them as an two-testicled penis: “Marketing is better. When you’re the Client, you call the shots.”


(I hope you have noticed, at this point, that when one is an Account Dictator Director such as myself, one never spells “client” and “agency” with small c’s and a’s at the start. These words are Proper Nouns, and must always be accorded the dignity of capitalized, font size 42 first letters. In bold Haettenschweiller, no less.)

I have analyzed and distilled and condensed and filtered and subjected to reverse osmosis my answer to this comment. And what I have to say is this.

“Calling the shots” when you are a Client is an over-simplified truth. As a Client, you are genetically engineered to be capable of just two things: (1) writing a brief, and (2) disapproving (and occasionally actually approving) creative work. In between are gaps in your week that measure about six inches long on your standard wall calendar, filled with dreadfully boring activities that contain about 5% creativity, and 95% Microsoft Excel-driven inanity. Let me explain further.

When reasonably intelligent, well-bred, stunningly sexy individuals such as I are in college, we are brainwashed to believe that Marketing is the hottest profession since sheepherding went out of fashion in the late 1700’s. You’ll do advertising campaigns!, our professors squeal with pride, You’ll launch innovations, change lives! You’ll be able to sell shampoo for P2.00 a sachet!

The tragic reality is that 70% of your day as a Marketer is spent slumped at a workstation, churning out demand plans, profit & loss statements, and forecast variance analyses. You spend hours in meetings with some of the most left-brained people in the world, from factory managers, to financial analysts, to production line workers, to research technicians. You condition yourself to believe that a 15-minute dialogue on the nifty new macro installed in the new SAP upgrade passes as “small talk”. Occasionally, you do get some excitement when your drab little workspace is invaded by sleek, black-clad, turtleneck-and-Gucci-wearing individuals from the Advertising world, but those moments are few and far between.

Things are different when you live the Agency life.

In the Advertising world, you are constantly immersed in a social solution consisting of 90% purely creative people, and just 10% worth of odd contaminants with such curious names as “Production Traffic” and “Finance”. Your meetings are full of copywriters, art directors, producers, and production designers, all of whom are armed with sparkling white (or occasionally black) MacBooks and distinguishedly scruffy pairs of Chuck Taylors. You spend at least ten hours a week chugging down buckets of beer sponsored by some excitable Creative Director, while debates rage around you on whether Comic Sans MT is more evil than your local Church of Satan, or if red Sith lightsabers pack more punch than blue or green Jedi ones.

And really, every day in the Advertising life is a day of exciting output. It could be a clever new print ad, a hilarious new storyboard, or even just a pretty contact report. You get to sit and watch as creative ideas are born, nurtured, and dragged into wild puberty by a room of mildly-inebriated concept teams. You get to be a writer, a designer, a dreamer, a doer, all in a span of just thirty minutes.

You open Excel only about five times a year, and two of those rare moments are just to check if two and two still add up to four in the 21st century (my secretary tells me they still do).

I could go on and on. I’m just so happy.

I do want to establish however that I hold no angst towards my four year Marketing stint. It’s really helped me a lot. I can discourse intelligently, for example, on how a 0.3% cost reduction on a mayonnaise formulation actually helps bring vitality to 80 million Filipino lives. I have learned the difference between induction and conduction sealing. I know how to work thrilling software innovations like ACNielsen I-Sight 6.2 and Microsoft Binder. And most importantly, I can make you believe that increasing my logo by 3/10ths of a centimeter on an advertorial actually helped improve my sales in Tuguegarao public markets by 7% for two weeks last February.

I was really good at my old job. I spent two years on the High Potential list at U-Will-Never, I got to pretend I was Category Manager for six months, and I was always reminded by my advertising, activation, and media Agencies that I was one of their favorite Clients (it was my plunging necklines and plaid pants that did it).

But I really love my new career. If I could pick any Karen Carpenter song to sing about it, I would probably sing a disco remix medley of “Top Of The World” and “Sing (Sing A Song)”.

Calling the shots” is an overrated cliché. What I do now as an Agency person is far more important, and far more fulfilling. It’s called “living my dream.

And that, at the end of the day, is why I did what I did.

(By the way, this is a highly editorialized opinion piece, so none of you are allowed to speak up in defense of the Marketing side of life.)

I didn’t spend very long in the advertising industry. Two years. That’s a blink of an eye, by advertising standards.

I did however, get to work on one campaign that remains, to this day, incredibly meaningful to me.

It was the “I Am Ninoy” brand launch, commemorating the 25th anniversary of Ninoy Aquino’s martyrdom to save a country.

I’ll be the first to admit that I’m not exactly the most upstanding person on the planet. But I do remember how, for that one year, I was inspired to be a better person, a better Superstar, someone who was not afraid to stand up and proudly declare, for the world to see, that I, in my own, was a Ninoy too.

(On a slightly vain note, do you notice that I’m the only who got to deliver a complete sentence within the whole material? Ahh.. the perks of being the Account Director for the project.)

And the full story behind it.

A drawing I made the day that Tita Cory passed away.. it was awesome working with her.

The last TV commercial I ever did at McCann for Royal Tru-Orange – and I didn’t even get to finish it all the way. Boo.

(Also, the food at the shoot sucked balls, but the fish fillet and marinara pasta at the offline Client Interlock rocked my socks.)


Some production notes:

(1) The name of the sari-sari store at the beginning – “Ron-Ron’s Store” – is a subtle little inside joke by the Agency in inserting the name of a charming little character who we loved from other previous boards, but whose story we just couldn’t tie up neatly. It’s our tongue-in-cheek anticipation of Client possibly requesting us to *sigh* “marry the boards.” Thank God they liked this board enough not to ask for that :P

(2) Agency initially wanted Christophe, the tall, goofy-looking dude to play the lead. He exudes so much natural physical humor. The eventual lead wasn’t even part of the original casting shortlist – Daniel, our intended lead, came down with a sudden high fever on the morning of the shoot, and everyone had to scramble to find a suitable replacement in a couple hours’ time.

(3) Everything was shot on location in Paranaque, and Tina Baron’s house makes a tiny tiny little cameo in the end sequence – the cat-eyes on the road where you see the barkada biking off are unique to their house alone.

(4) Christian, the lead, is a very crude biker in real life. Which kind of makes his punchline all the more appropriate.

(5) We all believe that Angelica, the female barkada member, will grow up to be the spitting image of Judy Ann Santos in 5 years time.

(6) Original ending had them biking off after a truck with the Royal Tru-Grape design plastered on it – but Direk Jolly Feliciano wanted to use the sequence to show an elevation of kulit in the barkada, hence the mischief that happens at the end.

(7) The music that plays throughout was inspired by a Sony Ericsson ringtone that we plucked out of thin air for the pre-testing material at 1 in the morning.

(8) “No bike” took 27 takes to get right. It’s harder than it looks! Direk himself operated the camera for this sequence.

(9) We were terrified by the weather forecast, since this was a location shoot that needed lots of long and wide shots – Yahoo and AccuWeather both predicted thunderstorms for the two days. Thankfully the sun held out until AFTER we wrapped!

(10) This particular storyboard was 99% approved in just ONE PASS.

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CREDITS:

Director: Jolly Feliciano
Producer: Cris Dy-Liacco, Alec Humphries
Creatives: Dadi Santos, Bong Legaspi, Paolo Gardon, Jon Galvez, Gabby Alcazaren
Accounts: Berns Chincuanco, Cha Golpeo, Mark De Joya, Celine Lopez, Lianne Salcedo
Strategic Planning: Gen Cruz, Ez Abero
Casting: Owen Mariano

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I like this picture.

While I have no plans of ever being a family man, this shot makes me feel positively parental.

These are My Kids, all of whom have at one time or another have been assigned under me as Account Dictators in Training (ADIT) – and have been responsible for some of the most memorable moments in my McCann life.

It’s funny how they each have their own personalities and quirks that have made bossing them around such fun.

Menggay, a.k.a. Penguin, is the troublemaking thug with a history of finding herself in the middle of catastrophes and disasters (trademark lines: “I’m so stressed!!!” and “I want to die!!!”), but has the uncanny ability to gracefully charm her way out of potential trainwrecks, and has a sterling record of absolutely zero sabit. (She unfortunately also has been cursed with a track record of being hurled into the swimming pool at every single party we’ve thrown at Lianne’s hacienda)

Carlos, a.k.a. OshKosh, is the teacher’s pet, who takes after me in all the ways that matter, i.e. churning out smashing PowerPoint decks, sneaking in to work an hour after stag time, making all the girls laglag-panty and the badings sikip-brip, etc. and wears socks even less than I do.

Lianne, a.k.a. Leetul Gurl, is the deceivingly innocent-looking girl next door who is actually a wild child even worse than Lila Fowler raised to the power of Jessica Wakefield. She’s eternally the last man standing at all of our parties, and drinks more than an Irish sailor. I shudder to think of when she’s eventually a mother and begins breastfeeding – she’ll probably be dishing out a 50/50 blend of breastmilk and San Mig Light; that’s how loaded-up this girl is.

I love these kids. None of them have ever shown me the least bit of respect, or treated me like a dignified vessel for the Holy Spirit that I am, but it’s all good.

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